I thought I'd step up and try it out to see what happens.
Enigma4ever, you wrote a touching post that was framed as a letter to georgie from a mama on mainstreet where you attempted to pose some questions to he who shall remain powerful yet utterly brainless.
I like the open letter format, it makes things more personal, which is as it should be. We're not fighting primarily for ideals, are we? I mean, we're fighting for our lives. So it's personal.
I saw that you included a pink song. She's got quite the voice, that one. So butch. I really appreciate her.
Sadly, I do not like this particular song. :)
I brought a post I wrote when I heard the song over from my blog. Have a look when you can. Comments from any group members welcomed, of course.
Now you know I like her just fine. I've got one of her songs in my sidebar that works for me quite nicely. :)
Papi told me about this song and I started listening to it, swaying to it, being seduced by it, getting tingles about it. I told Papi that I felt manipulated by the song. I told him that the song had a purpose and that it was going to be a big hit. I said that I had to think about what I was feeling and ask myself a bunch of questions.
For instance...Why? Why would a pop songstress be moving me in this way? What is it about this song, seemingly such a direct challenge to the village idiot, that managed to engage my emotions? If this song is such a punch to the gut of things that are going so horribly wrong for so many people, how did it get on the air when we all know that the music industry is completely corporate and driven by image, dollars and a fundamental belief in the amerikkkan way?
Image...
Dollars...
the amerikkkan way...
Is this really a defiant anthem of the people? Or did this song make it to the airwaves because it actually fulfills pop music criteria to a "T"?
And if so, how?
Let look at the lyrics. I found them online. My comments are in red.
"Dear Mr. President" (feat. Indigo Girls...if you wanna know what I have to say about this, scroll down almost to the end of this post)
Dear Mr. President, Come take a walk with me. Let's pretend we're just two people and You're not better than me. I'd like to ask you some questions if we can speak honestly. What do you feel when you see all the homeless on the street? Who do you pray for at night before you go to sleep? What do you feel when you look in the mirror? Are you proud? How do you sleep while the rest of us cry? How do you dream when a mother has no chance to say goodbye? How do you walk with your head held high? Can you even look me in the eye And tell me why? Dear Mr. President, Were you a lonely boy?
Are you a lonely boy? Are you a lonely boy? How can you say
No child is left behind? We're not dumb and we're not blind. They're all sitting in your cells
While you pave the road to hell.
What kind of father would take his own daughter's rights away?
And what kind of father might hate his own daughter if she were gay?
I can only imagine what the first lady has to say
You've come a long way from whiskey and cocaine.
How do you sleep while the rest of us cry?
How do you dream when a mother has no chance to say goodbye?
How do you walk with your head held high?
Can you even look me in the eye?
Let me tell you 'bout hard work
Minimum wage with a baby on the way
Let me tell you 'bout hard work
Rebuilding your house after the bombs took them away
Let me tell you 'bout hard work
Building a bed out of a cardboard box Let me tell you 'bout hard work
Hard work
Hard work
You don't know nothing 'bout hard work
Hard work
Hard work
Oh
How do you sleep at night?
How do you walk with your head held high?
Dear Mr. President,
You'd never take a walk with me.
Would you?
Oh, and I know that the favourite songstresses of so many feminists - -the indigo girls, are involved in this anti-war effort. Have to admit I don't know them. But if they wrote this...it's clear that they offer the pop songstress a whole heaping dose of feminist cred...on top of what she already garnered for her song "stupid girls" which I haven't listened too, but which I'm sure helps to educate high school students about the power of feminism...101. All this to say...the additional cred she gets from singing with beloved still fairly youthful white feminist folksters will move mad units in kewl twenty something feminist circles. Upset? Shoot me. :)
So, moving on...
Lets just say...
This song functions on much the same level as the children's shows I watch with Stinkapee do...reinforcing oppressive norms and perpetuating dearly held beliefs and ideas about dominance in a manner seductive enough to entrance those who are most susceptible to this kind of drivel.
The melodic. acoustic, sweetness, traditional terrain of the patriarchal female who must never overtly dissent, is the vehicle...
The flag waving, the erasure of any understanding of an agenda larger than bushie and utter absence of any critique of oppression, the perpetuation of romanticized images of the american people, who are actually silently warring and jostling peoples constantly pitted against each other by all government administrations in order to better manipulate them and keep power consolidated in the hands of a few, undermines the concept of this being anything but a button pushing pop song.
This is a pop song designed to give all of us a little tearful release during breaks, and lunch hours. This is carefully constructed conversational subject matter allowing for controlled release lasting about as long as the duration of the song after which everyone will wipe their tears and, if necessary, unclench their teeth, suck back some more denial and leave things exactly as they are...
ka-CHING!
This song is gonna rake in some serious dough.
Of course I'm gonna have people who understand themselves to be the only ones who understand what a bonafide tender, sensitive, nurturing, hopeful, loving emotion looks like, getting their panties in a hitch over me hacking this song to teeny, tiny bits.
Of course it will probably escape them that some/many of the expressions we understand to well from deep withing us when we hear a song...even the ones in my sidebar, actually originated or at least were crafted and edited with hefty input from stodgy white old or young white men in board rooms somewhere.
Of course it will probably escape them that we have been completely divorced from our feelings by careful training within our families of origin, reinforced by most of us having been educated in, or having encountered people in power who we were encouraged to trust who were educated in the public school system, reinforced by church for many and general ideas about courtesy, humanity, niceness, relationship and family which encourage us to disavow or deconstruct (for the pomo academics) any feelings that threaten to deluge us or that seem too furious or terrifying.
And so, knowing that questioning my ability to feel rather than questioning how this song might invite us to feel only a certain range of emotions, is a good defense against all the questions I've posed, I'll say again:
This song is gonna blow up and get really popular and make so much fucking money.
Are ALL the procedes going to go to finance the Iraqi resistance or, if that's to scandalous and dangerous are the procedes going to be used to build affordable homes for "the homeless"?
It's a perfect interactive tool where the range of acceptable emotions expected to be expressed by the average listener have already been carefully charted. This will not be a city burning song. This will not be a cop fighting song. This will not be a flag burning song.
Because no one wants to get into trouble, no one wants to get tear gassed, no one wants to be kicked in the head by a horse, no one wants to be shot in the head by a secret policeman, no one wants to end up being among the first to occupy the new dissident detention centers, no one wants to rage, no one wants to be seen as not nice, no one wants to be rude.
Unh...my little inner child, the same one who cries heartbrokenly when she listens to Tracey Chapman, really likes the song. We're gonna go play it now....
It'll be a really good teaching tool for Stinkapee and the Shmolian. She's five. He's a toddler who barely speaks english.